By Martin Hall

ISBN-10: 0415229650

ISBN-13: 9780415229654

Archaeology and the trendy World advances a brand new debatable concept of historic archaeology. utilizing new case experiences, Martin corridor evaluates the most important theoretical traditions in old archaeology whereas contributing considerably to the controversy. during this learn the writer locations an emphasis on fabric tradition and the hot prior to deliver to gentle an image of an risky and violent early colonial global within which fabric tradition performed a very important mediating position.

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5 Order in death: the funeral of Baron van Oudtshoorn, Cape Town, 1773 (Cape Archives, M 172). made to permit the formation of an orderly procession of mourners according to the precedence list that had been decided upon. The mourners follow slowly two-by-two. (Mentzel 1925: 123) 'Women', Mentzel stressed, 'do not attend funerals'. Rank, precedence and gender all came together in church. Separate pews were reserved for the Governor and his sons and for his wife and daughters. Upper Merchants, members of Council, military officials and ordinary Colonial discourse 31 burghers sat between the columns of the church or around the walls, while the women were seated in the centre, 'upon their own chairs that are drawn up in regular rows one behind the other by the verger and his assistants before the service ...

18 Archaeology and the modern world Thinking about discourses in this way helps to develop an approach to comparison that yields the rich insights that come from working across the different registers of the archaeological record. Comparison has had a bad press in archaeology theory writing over recent years. Comparison was central to the 'new archaeology' of the 1960s, with its emphasis on scientific method. This, and the implication that there are general laws of human behaviour that can interpret the past, has been treated at best with suspicion by postmodern theorists.

But the incident gained particular significance because Boesses was none other than 'Mevrouw van Oudtshoorn', the 61-year-old widow of Pieter Baron van Rheede van Oudtshoorn, and that the events were recounted as a crisis of public order by the owner of one of the largest Cape wine estates in correspondence with a former governor. In a transformation of identity, Sophia Boesses shrugged off her reputation as 'a pious lady, the pearl and paragon of the Cape church', donned male clothes and 'walked swiftly' across the town at night to rendezvous with her 20-yearold lover from Luxembourg and a Catholic priest.

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