By Pablo Yglesias, Izzy Sanabria
Using beats, coursing rhythms, swaying skirts, and swaggering bandleaders enjoying deep into the sultry evening: Latin song is a party of lifestyles and sensuality, and nowhere are those crucial values higher mirrored than the remarkable checklist covers that current this tune to the realm.
Cocinando!: Fifty Years of Latin Album conceal Art attracts jointly the main attractive, horny, colourful, cutting edge, and artistic Latin checklist covers from all of the a variety of genres of Latin track: mambo, salsa, bossa nova, tropicália, Latin jazz, and rock. Featured are covers via such mythical performers as João Gilberto, Machito, Tito Puente, Celia Cruz, Ray Baretto, Caetano Veloso, Santana, and numerous others.
Author Pablo Yglesias offers a compelling advent to the heritage of Latin renowned song and the designers who've introduced this tune to visible life.
Read Online or Download Cocinando!: Fifty Years of Latin Album Cover Art PDF
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Extra info for Cocinando!: Fifty Years of Latin Album Cover Art
We mar- Latin jazz at the time. The deluxe cover shot romanti- veled at ever ything, even the cover. cizes that Palladium encounter, conjuring the enticing —Rober t Farris Thompson demimonde of an exotic beatnik bar complete with entwined couple, red wine, and an invitingly seductive Jazz and dance music par ted ways after World War II, mambo dancer. The florid Mambo with Cal Tjader’s but it was at the nexus of the two genres that Cubop, Quintet riffs on stereotypes of strutting Hispanic mas- that frenetic child of mambo, was formed.
El jazz cubano actually utilizes a painting depicting flamenco artists in Málaga, Spain. Continuing that bright, festive feeling, Cubanborn muralist and painter Viredo Espinosa’s 1997 acrylic The Cabildo Is Coming graces Poncho Sanchez’s Picante release, Afro-Cuban Fantasy. Viredo spent years 43 It has been said that Mongo Santamaría was reticent to mix the sacred and the profane in his music, but he had no problem adapting his friend Silvestre’s fiveconga attack to his own sound. In the 1950s the two collaborated on the historic Drums and Chants, represented here in its reissued form from the mid-1970s, FOLKLORIC, TÍPICO, AND with an initially jarring juxtaposition of tradition and innovation by artist Charlie Rosario.
In ritual ecstasy set against a blood red background of black community. dynamic soundwaves, the per fect metaphor for the While jazz opened itself to free structures and profound fusion at the hear t of Latin jazz. Mar tin’s abstraction in the 1960s, Latin jazz kept its feet firmly intense linear aesthetic was soon adopted by other planted on the ground. The mellifluously titled Cándido designers, as illustrated by the stark rendering and in Indigo is the first of many instances in which the ace dynamic cropping on albums for Pete Terrace, Sabu Cuban percussionist shows off his powerful physique Mar tinez, and the Cal Tjader Quintet.
Cocinando!: Fifty Years of Latin Album Cover Art by Pablo Yglesias, Izzy Sanabria
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