By Stuart Mealing

ISBN-10: 1841500623

ISBN-13: 9781841500621

Computers and Art presents insightful views at the use of the pc as a device for artists. The ways taken differ from its historic, philosophical and sensible implications to using machine know-how in paintings perform. The participants contain an paintings critic, an educator, a training artist and a researcher. Mealing appears to be like on the capability for destiny advancements within the box, either the inventive and the computational points of the sector.

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Machine Intelligence. ). Endinburgh: University Press. Vol. 6. 34 Kennedy, John (1975) Drawing was discovered not invented. New Scientist. 67. pp. 523-525. 35 Willats, John (1985) Denotation systems revisited: the role of denotation systems in children’s figure drawings. Visual Order: the Nature and Development of Pictorial Representation. ). Cambridge: Cambridge University Press. pp. 78-100. Garnham, Alan (1988) Artificial Intelligence, an introduction.. London: Routledge & Kegan Paul. Light, P.

A production may be regarded as ‘a basic step of cognition’ . Given a suitable set of them, complex sequences of actions can be performed. Why use computers to make drawings? George Whale Computers & Art Second Edition 30 computer-mediated drawing, the user’s knowledge (which must include some knowledge of the software and its functions as well as knowledge of drawing) is brought to bear during interaction. But it is clear that algorithms can also embody 37 expert knowledge of drawing, including: knowledge of ‘drawing systems’ such as perspective and orthogonal projection; knowledge of what might be termed ‘markmaking systems’, ways of configuring marks so as to convey representational, or other, information; and, as we saw in Aaron, knowledge of ‘strategy’, by which appropriate and timely decisions are made concerning the form and disposition of elements at each stage in the drawing’s development.

1999) Capturing and Re-Using Rendition Styles for Non-Photorealistic Rendering. Proc. EuroGraphics ‘99, Oxford, pp 173-182. 14 ICA New Media Centre. com> Accessed 22 Jan. 2002. 15 Kirsch, J. L. & Kirsch, R. A. (1988) The Anatomy of Painting Style: Description with Computer Rules. Leonardo, 21, 4, pp 437-444. 16 Kurzweil CyberArt Technologies. com> Accessed 22 Jan. 2002. 17 Lauzzana, R. G. & Pocock-Williams, L. (1988) A Rule System for Analysis in the Visual Arts. Leonardo, 21, 4, pp 445-452. 18 Lawrence, J.

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Computers & art by Stuart Mealing


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