By Kenton O'Hara, Barry Brown

ISBN-10: 1402040318

ISBN-13: 9781402040313

ISBN-10: 1402040970

ISBN-13: 9781402040979

Hearing, paying for and sharing track is an immensely very important a part of way of life. but fresh technological advancements are more and more altering how we use and eat track. This e-book collects jointly the newest reviews of track intake, and new advancements in song expertise. It combines the views of either social scientists and know-how designers, uncovering how new song applied sciences are literally getting used, besides discussions of latest song applied sciences nonetheless in improvement. With a selected specialize in the social nature of song, the ebook breaks new flooring in bringing jointly discussions of either the social and technological points of track use. Chapters disguise issues corresponding to using the iPod, tune applied sciences which inspire social interplay in public locations, and track sharing on the net. A priceless assortment for someone keen on the way forward for tune expertise, this publication can be of specific curiosity to these designing new song applied sciences, these operating within the track undefined, besides scholars of track and new know-how.

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Extra resources for Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies (Computer Supported Cooperative Work)

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The change in media, as with other recent moves such as that from recrods to CDs, results in a range of changes to the practices involved. Contrasting conventional and new media use thus brings out absences in new practices which are instructive for design. , CDs, vinyl, and tapes), adult users of conventional music media, and a group of new music media users, namely MP3 users (see Table 3-1). K. by Mintel (Mintel, 1998). Mintel’s survey asked consumers how many music products (singles or albums) they had bought for themselves in the last year.

In global retail chains, where the music is a permanent fixture and where staff have no input, music was, by contrast, hard-wired 9 See DeNora 2003:106-7 and Parkinson et al, Changing Moods: The Psychology of Mood and Mood Regulation. (London: Longman, 1996). 30 2. 10 Because, increasingly, music is part of a global soundtrack in public places, actors may also use music playing technologies (personal stereos, mp3 players) to reclaim spaces and overlay those spaces with soundtracks of their own choosing, sometimes thereby reframing the spatial experience (Bull 2000).

For the teenagers we interviewed, a common social activity would be to visit friends’ homes and play video games or relax together. In these settings, music would nearly always be played, providing both a way of moderating the mood of the group, as well as a forum for finding out about new music. The older music consumers we spoke to also discussed music being played in groups, as a way of producing amicable social situations when friends or family visited their house. In these setting it is natural to ask for a copy of music from a friend, since it is easily available at the point where 44 3.

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