By Basil Dufallo, Dr. Peggy McCracken
From Eurydice to Laura and past, useless fanatics name forth robust expressions of grief, sorrow, love, and longing. They celebration mourning and different rituals and appear to be intrinsically sure up with altering principles of subjecthood itself. Dead Lovers explores the advanced attachments to the determine of the lifeless lover in Western literature, artwork, and other kinds of cultural expression from classical antiquity during the center a while and into the early smooth period.
By reflecting at the research of useless fans, those essays additionally hint the advance of topics and claims in relation to our personal funding in a “dead” yet eroticized prior that we search to recover. The assortment deals a sustained dialogue of ways scholarly curiosity within the illustration of loss and erotic bonds increases urgent questions about nostalgia, functionality, the function of have an effect on in highbrow paintings, and the gendered cultural values that script the outline and event of the erotic. In its specialize in loss as a website of impact and mind's eye, Dead fanatics offers an unique and provocative contribution to the heritage of scholarship.
Basil Dufallo is Assistant Professor of Greek and Latin and Comparative Literature on the college of Michigan.
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Additional info for Dead Lovers: Erotic Bonds and the Study of Premodern Europe
1950. " Revue des Eitudes Latines z8:18z-93. Helmbold, W. C. 1949. " University of California Publications in Classical Philology 13:333-43. Hubbard, M. 1974. Propertius. London: Duckworth. Janan, M. zoo . The Politics of Desire: Propertius IV Berkeley: University of California Press. Kennedy, D. F. 1993. The Arts of Love: Five Studies in the Discourse of Roman Love Elegy. Cam- bridge: Cambridge University Press. Kennedy, G. A. 1972. D 300. Princeton: Princeton University Press. Krokowski, G. 1926.
We may wish to identify with it, somehow share in it, and find in its severing a moving expression of the exigencies of the human condition. Or we way seek to demys- tify it, to reinterpret it, to discover in the artist's emphasis on love in the face of death his or her own passionate commentary on the aesthetic possibilities of art itself: on art's capacity, that is, to immortalize and preserve the object of love in the face of destruction. The way that the artistic subject matter of a dead lover, in other words, puts personal affect front and center, can have a powerfully determining effect on the range of our scholarly responses to the work of art in question.
3 In this tradition, Adonis furnishes a gratifyingly tractable figure for a fellow poet, both compelling and inert. 4 Virgil unties the Bionesque viewpoint from a single character, creating a vaguer, more capacious source of desire, sometimes identifiable with a particular character like Nisus or Aeneas, but only provocatively and problematically. Even more than in Bion, viewpoint becomes a metaphorical solvent between the personae of reader, character, nar- rator, poet, precursor, and so on. Owen's "Disabled" can be read meaningfully within both main lines of reception.
Dead Lovers: Erotic Bonds and the Study of Premodern Europe by Basil Dufallo, Dr. Peggy McCracken
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