By Fitzroy Dearborn

ISBN-10: 1579584136

ISBN-13: 9781579584139

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Extra info for Encyclopedia of Television: 003

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The sicknesses that Marcus Welby and his young colleague Steven Kiley dealt with—everything from drug addition to rape, from tumors to autism— ran the same wide gamut that hospital-based medical shows had covered. In fact, many of the patients ended up in the hospital, and Welby even moved his practice to a hospital toward the end of the show’s run. D. was different from other shows of its era, such as Medical Center and The Bold Ones. Those shows stressed short-term illnesses that paralleled or ignited certain unrelated personal problems.

In 1949 Mann began directing dramas for PhilcoGoodyear Television Playhouse, where he was one of a stable of directors that included Vincent Donahue, Arthur Penn, and Gordon Duff. During the 1950s, Mann also directed productions for Producers’ Showcase, Omnibus, Playwrights ’56, Ford Star Jubilee, and Ford Startime. Although he worked almost exclusively on anthology series, Mann also directed live episodes of Mary Kay and Johnny, one of the first domestic sitcoms. Mann is perhaps most often identified with the Philco-Goodyear Television Playhouse (and subsequent film) production of Paddy Chayefsy’s Marty, which has been praised by critics as one of the most outstanding original dramas produced by Fred Coe and the Philco-Goodyear Television Playhouse.

Victor took a centerpiece of the basic doctor-show formula (the older physician-mentor tutoring the young man) and transferred it from the standard hospital setting to the suburban office of a general practitioner. The sicknesses that Marcus Welby and his young colleague Steven Kiley dealt with—everything from drug addition to rape, from tumors to autism— ran the same wide gamut that hospital-based medical shows had covered. In fact, many of the patients ended up in the hospital, and Welby even moved his practice to a hospital toward the end of the show’s run.

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Encyclopedia of Television: 003 by Fitzroy Dearborn


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